I was in Lae when the International Music Festival took place in August 2007. For me personally, PNG was finally taking the right path in promoting its music and the world’s music to its people and to the world.
This was not some one-night bash at a night club where adults convoy in to dance in drunken stupor with no genuine appreciation of the talents and music being performed.
The festival showcased Sanguma, George Telek along with Not Drowning Waving from Australia as well as other artists and talent groups that the country had to offer. Even PNG music veterans Glenn Low and the late John Wong were present to ensure the sound that people perceived was at its optimum.
It was a musical event for the whole family, fathers, mothers, and children of all ages had the opportunity to witness a myriad of melodies and performances for both the young and old alike.
Sadly for 2008 the International Music Festival could not take place for reasons unknown to me. Which for myself is a great disadvantage for PNG’s performing arts and culture. We can commend great bands such as Sanguma all we want with their contribution and achievements to the music industry in PNG and abroad, yet their music is taught and inspired to the handful at UPNG’s National Arts School. It is at events such as the International Music Festival where young and aspiring musical talents from the streets, villages and settlements can be exposed, educated and motivated to music such as Sanguma’s along with music and cultures from abroad.
When one mentions traditional culture in PNG, the first thing that would come to mind would be traditional singsing. Most if not all of what we showcase to maintain our identity and traditional roots is through traditional dance and chants.
So why not we host an event, invite the world, celebrate and perform to them both contemporary and traditional music from PNG that describes this country and it’s people as beautiful, diverse, unexpected and unique.
Comments
Live original music in PNG
I too am disappointed to hear the International Music Festival did not happen. However, I should point out that it is not all doom and gloom on the PNG original live music front - In recent weeks there has been a good number of high-profile local acts (PNG and Solomon Is) perform in Port Moresby. O-Shens CD 1-Rebel CD release (at which he did not perform...but that's another story!) was a highlight - local youngins 'Skawttas', with their hugely popular song 'Take Me To Paradise' performed really well as the replacement 'headline' act, with support from Leonard Kania and Coral Springs (another young group). The crowd was big and there were no problems, it was a similar story for the SI Walli Pazzi concert i missed. Tomorrow night the SI band One-tox perform with a number of local acts, which is sure to be a massive event.
Even though a truly vibrant local 'originals' scene is yet to emerge, these concerts prove that live lokal music events can successful, and can feature not only the veterans of PNG music, but also fresh new artists. Furthermore, Alan Kedea (aka Akay47) has just wrapped up a successful music competition for Motu-Koita Youth, attracting wide public attention and hopefully triggering the careers of many artists.
Hopefully the recent successful shows encourage CHM to stage them more frequently, as it has been fantastic to be able to regularly see live performances of 'real' lokal music.
My mate Emaneual regularly previews and reviews these events on his blog http://masalai.wordpress.com/2008/12/09/ramukanji-live-in-port-moresby/ check it out...
LIVE LOCAL MUSIC
It’s good to see the local front alive with fresh new acts making their stand in the PNG Music market. However the focus should be on hosting festivals and outdoor concerts and not so much club gigs. The majority of the fans behind Wally Pazzi, Skwattas and Oshen are children.
Concerts such as the Golden Tones which took place during the late 90’s greatly promoted local artists to the listening audience. The recent Oshen and CHM affair is a good example of CHM trying to set up a quick gig just to get publicity and was not really concerned about the interest of the artist or their fans.